Joined 6 years ago
Sadly all adventures eventually end. But congratulations to the winners, and to everyone who participated. We were lucky to have such a diverse array of games, and I want to say thanks to everybody who submitted something.
Missed your chance to play a game? You can find them here.
It's time for another Feedback Fortnight! It now starts tomorrow at 20:00 UTC. So take a quick breather then hurry back for some delicious feedback (and also games to play!).
In the end we got a nice handful of games, so let's show our appreciation and play them!
Well done to everyone involved—making an adventure game is no small feat—and to @AaronBacon in particular.
Entries are still open (this is a Kajam, after all), so if you've been working hard on something and want to show it, there's still a little time left. We only have until Friday to vote, though, so don't take too long! :)
So it turns out making an adventure game is hard.
Perhaps we were asking a lot, sandwiching an adventure game jam into such a small amount of time. So we've extended the entries period! Yep, that's right, there's a little bit more time to squeeze out some more adventures!
Let's also have a round of applause for @AaronBacon, who did manage to finish a game in the time limit!
The 10th Kajam is upon us, folks!
This time we're focusing on building an adventure game.
A typical adventure game might include elements like:
Your challenge is to make a game involving some of these elements, or any others you think are common to the genre.
Or just make something cool and show us! Whatever you do, the real goal is to have fun and be nice. 😎
Beginning as far back as the 1970s (😱), these games originated as text-based experiences such as Colossal Cave Adventure. During the 1980s and '90s, the genre embraced graphics and brought us memorable classics such as Siera's King's Quest series and The Secret of Monkey Island. Influential 3D titles include Myst and Grim Fandango. More recently, the genre supposedly declined, but has also seen some real success with games like Telltale's The Walking Dead and Don't Escape, as well as the prolific output of Wadjet Eye.
@Tijn very helpfully composed a list of tools that might be useful. If you have any others, suggest them below and I'll keep this list updated.
Twine - probably the most well-known tool for creating interactive fiction
Adventuron - web-based adventure game system, inspired by classic games, but easy to learn by beginners
Ink & Inky - language & editor by Inkle Studios, powering such games as 80 Days
Inklewriter - easy-to-use online tool to write basic interactive stories, also by Inkle Studio
Adventure Game Studio - point & click adventure game creation system for Windows, used by many successful indie titles such as Gemini Rue, Heroine's Quest and the Blackwell series
GB Studio - a simple tool to make Game Boy games
SCUMM-8 - SCUMM-like engine demake, created in PICO-8. Great for creating tiny adventure games
SCI Companion - editor for creating SCI games, the engine used by Sierra
Story Teller - a brand new text adventure engine for DOS
Dolores - an experimental new engine by Ron Gilbert (creator of Monkey Island, but also the SCUMM-engine)
Simple Game Interpreter - an adventure game interpreter built in Cython. Released for beta testing only recently
Congratulations to everybody who participated! It looks like we have a lot of intriguing entries, so well done everybody :)
Even if you didn't manage to create a full game, you should be proud - this is a particularly technical challenge, after all.
Even if you didn't enter, I suggest you take some time to play the games these excellent folk have made! As always, if you can, please provide them with some of that lovely, juicy feedback. A bit of encouragement wouldn't go amiss either :)
If you haven't yet finished your game, don't panic! This is a casual jam, so entries will be left open for a few days yet. Do try to get it done soon, though: the longer you leave it, the less chance people have to play your game!
We have a bunch of exciting stuff coming up.
The biggest event of 2021 so far: theme voting for the 11th Alakajam! will start in early February, with the actual jam taking place on the weekend 26-28 February. Don't miss it!
An informal hackathon with @wan, @toasty and others will take place over at Github on the 1st and 8th of February, in the evening Central European Time. If you're interested in fixing bugs, polishing pages or just hacking on your favourite niche magical game jam site, ask in the Alakajam discord or on IRC.
That's right! From the 4th to the 31st of January, we're having another Kajam event. Your mission is to make a game that uses ray casting in some way, graphical or otherwise.
In 3D graphics, ray tracing is a rendering method in which "virtual light rays are "cast" or "traced" on their path from the focal point of a camera through each pixel in the camera sensor to determine what is visible along the ray" (Wikipedia article). For a resolution of 320x240, that would be 76800 rays each frame! Ray casting is an optimised version of Ray tracing where only one ray is required for each column of pixels, which means only 320 rays each frame! This is the technique used in classic games like Wolfenstein 3D!
I encourage you to give it a go, but it's not required! There are plenty of other reasons why you might "cast rays" in a game. The same ideas are often used in physics simulations, AI, and sometimes seemingly simple operations, like checking if a player can jump. So please feel free to use your imagination! If it involves rays, we're happy :).
Kajam competitions are month-long events in which people make a small video game focusing on a specific aspect of game development. They're a perfect opportunity to learn, experiment and level-up your gamedev skills!
I managed to release Minimum Damage today, and only a couple of days late! I'm actually really happy with the end result: pretty much everything is amateurish, crass and probably broken, but unlike my other games it looks intentional.
This is the first time I've created music for a jam game, but it's been a hugely positive experience. In particular I found it a real relief to work on the music, and get away from the screen (or at least, the IDE) for a while. I've found - like with graphics - that having some concrete assets, no matter how tacky, in place really motivates me in the soul-crushing twilight that is the end stage of game jams. It also took the game in more imaginative directions than I think it could have gone otherwise.
In addition to the music, I'm quite happy with the original idea. For one thing the graphics were simple enough that I could implement them very quickly, allowing time to think about more important things. The execution is imperfect, but maybe I can work that out at a later stage.
So thanks, @Tijn, for hosting this jam! I certainly learned something.
I may come to regret this, but I had an idea to create a sheet music bullet hell game. After an hour or so of hacking I got this far.
Most of the basics are there; it just needs some simple collision code and then I can get started on the squishy bits.
P.s. Yes I'm aware that isn't a minim >__<
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